Unable to decide on a book to finish reading, Merez and Emz can agree that ok, they smashed yr Corolla.
I: “how do you ask your bitch for other bitches”
Meredith: Last night I was bumping Kate Bush on vinyl and I don't
know if one of my roomies knows her
And The
Dreaming might get kinda weird when you're not expecting it
Emily: I feel like that about Steely Dan: listening to it
with other people can get weird.
I worked in a basement all
summer and we would crank Yeezus... it was always pretty awkward when other
people walked in.
What did
you think when you first heard it?
Meredith: DARK
like
industrial rap
Emily: is
that a new genre?
Meredith: I saw a stripped down room, filled
with lots of metal
I
thought that new genre was dub step. But that’s not this. This isn't
abrasive like the dub.
Emily:
What's your favorite track?
Meredith: Well "Bound 2" sounds the most like it doesn't belong on this album, because of the pop-ier samples. But the more I listen to it, the lazier Kanye gets.
Emily: “how do you ask your bitch for other bitches”
Meredith: most of his rhymes on that song have "mad repet-ation" which stops being clever and starts to be like "here, you throw this out."
Meredith: it's like at school when a kid says "i made this for you" and it's a drawing they clearly messed up on but they just don't want to put it in the recycling.
Emily: “how do you ask your bitch for other bitches”
Meredith: most of his rhymes on that song have "mad repet-ation" which stops being clever and starts to be like "here, you throw this out."
Meredith: it's like at school when a kid says "i made this for you" and it's a drawing they clearly messed up on but they just don't want to put it in the recycling.
Meredith:
I really like "Black Skinhead" but I don’t
think I want to… "Blood on the Leaves" too. What’s yours?
Emily: "Guilt
Trip" and "Send It Up"… I love the back end of the album—the tracks are so
dense and fit perfectly together
but
yeah "Black Skinhead" is kind of a perfect pop song
that
video is ridiculous; its a video game
Meredith: did you see him on SNL?
Emily: its so heavy handed
"NOT
FOR SALE "
The
production is perfect. Also the performance is really strong. He's not phoning
it in.
Meredith:
(lol @ baffleck)
goosebumps.
You
know how music videos of our youth would act out exactly the story of the
lyrics?
I feel
like this does that in an abstract way
It's obvious. But at the same
time it's like "wait... is he? was that?"
Emily: How does he get away with
saying "I’d rather be a prick than a swallower" on snl?
also at the end of that performance
it’s really awkward to hear the crowd cheer
Meredith: The ending of that performance is the definition of a
"pregnant pause"
"New Slaves" set me up for the
rest of the album.
I saw
these performances before I heard the full album, so I thought "damn. Kanye
is in a dark place and wants to address racism"
Do you
think he grew up during this album?
Emily:
I think that he’s angry as hell, and I think that he should be, and I also
think that "we" i.e. the dominant culture doesn't want to hear about
the things he's angry about, for lots of reasons. Maybe “we”
think racism doesn't exist because we have a black president or maybe we think
Kanye “shouldn’t complain” because "he's a millionaire."
Meredith: Right— when we think we've come out of
racist times and think we're absolved because of our president he comes back
talking about all kinds of racism
like
inserting race, literally, everywhere. ("put my fist in her like a civil
rights sign")
Emily: um yes. “titties out, free at last”
I think
he just wants to piss people off with those
Meredith: You can't talk about a Kanye album
without talking about Kanye
do you
think the album would have been so popular (among, mind you, some very white
critics) if he were not at the Kanye level, if he were still an
independent artist trying to make it?
Emily: No.
Meredith: pitchfork
LOST IT over the album
right
away
and
then people were like "ehh. wait. actually"
or
there was a lot of "I don't know what I think yet [because I’m white and
is it okay for me to like it?]"
Emily: True. Pitchfork also gave Dark Fantasy a 10-- and that one song on there, "So Appalled" is so UNBELIEVABLY AWFUL I refuse to link it here.
A lot
of people praised the production which is obviously immaculate but I think it's
overshadowed by the themes of the album. This is a great discussion.
I came
away from the album with the impression that Kanye's main preoccupations are race and
sex, which aren't unwarranted
but
those are both heavy topics and to tackle them exclusively without a break makes
the album really dense
Meredith: He gave us what we were asking for though
Emily: There's no little love song on here.
Meredith: No. I feel like rap makes people uncomfortable
because it references race, pussy and diamonds
so
no
holding back
like
almost self-referentially he knows that most references he's made on this album
are INSANE
and
only he can get away with talking about eating Asian pussy
Emily: Do you mean insanely offensive?
Meredith: Yes
Emily: I think it's for shock value but also because people love
it
it's
like a war movie
Meredith kinda jaw-dropping
his mode of "lots of explosions and stuff"
Emily: Maybe Yeezus is like the Platoon of race and sex
Meredith: oh man
Emily: But I think the casual misogyny is boring
mostly
because misogyny is the most played card ever
I think
in order to like the album, and I do, I've convinced myself he's just doing it
for shock value
Meredith: It's funny comparing Ye's lyrics to those of Eminem
Emily: ugh, whose head I would love to see on a stick
Meredith: with Ye, I kind of laugh it off and am almost
impressed...dude's got some good metaphors!
but Eminem spits supreme hate
Is it
their tones of voice?
Emily: Possibly... Eminem seems like he's screaming at his dad
Kanye
is only that mad when he's talking about race. i.e. in "New Slaves"
Meredith: yes. that I could feel. Eminem is fast and has a
good flow but I still hate him.
did you
hear about the #yeezustour ?
my boss
told me about it
This is
where it's obvious that Kanye has an artists brain, even if it might be incredibly
childish. There is vision: it's his piece of art and he's got control over it.
Emily: Did you watch the interview with Zane Lowe?
I think
sometimes we take for granted people's current role as artist, rapper, etc
but in
reality a lot of really creative people have a really dynamic, varied artistic background. Freddie Mercury was the same way
I think
Kanye is just an aesthete, and just decided he can do whatever he believes he’s
capable of (or so he told Zane Lowe) and decided to be a rapper.
II: Chasing the Hashtag
Meredith: so how do we explain his media presence when he's not
rapping
i.e.
the Jimmy Kimmel incident
Deep down, is he insecure and is being attacked? Does he take himself too seriously?
was he
looking for a reason to shit on Jimmy?
Emily:
I think the Kimmel episode especially was ridiculous because Kanye’s whole
interview with Zane was him talking about how he's not taken seriously, etc, and
then Kimmel has two children act out their dialogue.
It seemed to be in poor taste. But obviously Kanye is sort of
an easy target, and Kimmel possibly knew he'd be pissed and? drum up
publicity for the show?
Meredith: meme vs. meme
Emily: I think that's a successful element of Kanye's art: being
savvy about the way the internet works.
He
knows that if he dresses as Jesus or calls himself a god people will blog about
it/ hashtag him, increase his cultural cache etc ect etc
Meredith: absolutely. he's skilled at pushing norms or expectations
My Beautiful Dark Twisted Fantasy was dark as well, but that was death dark. This is
institutionalized/historical violence and hatred dark.
Emily: Yeah, twisted fantasy seemed to be the darkness of the
self and this is the darkness of the society/ darkness of outside the self
Also, I
like that Hairpin conversation linked above but I disagree with the critique of the album
not "loving anything back"
Art doesn't have to "show love" to be legitimate or "good"
Meredith: for sure, otherwise it would be a false expression
Yeezus
has such a different feel from his past works in that essence too. The amount
of collaborations on MBDTF was nuts! And you felt he loved and respected them
because
who can't love Justin Vernon?
Emily: True. Ye wanted center stage here.
Meredith: This is so stripped down and insular.
The
case itself: no album art. Which,
at first I thought it would be more reminiscent of a mixtape.
Poorer
production value up front, but
this little bit of duct tape on the jewel case was kind of like the curtain in
Oz, or
maybe actually the opposite.
He's
not hiding anything or holding back, and we
still/already think he's a god.
But
other people's art, outside of what is necessary for production and some
collabs are distractions
though
the tour seems like the exact opposite!
it's
some theatric shit
with
many BIG collaborations
that's Seattle !
lol@
tech nerds editing their live concert vids
III
Emily:
This might be pulling a yarn on a very large sweater, but Yeezus' discussion of
race: ?
In the video of the Seattle show, it was sort of surreal to hear
a crowd sing along to "My mama was born in an era when..." and in
that sense, one could argue that he's altered/(advanced??, eh) the form of
popular music. However. I still think that an act like Das Racist does a more
thorough and clever job of rapping about racism. Kanye is shouting about it,
and Heems and Kool AD are explaining, or illustrating it.
I'm not pretending
that I'm qualified to discuss hip hop in depth at all, but I wondered why
everyone was making so much noise about Kanye's addressing of racism like it
had never been done before.
It's a
good song but even "New Slaves" sounds less like a case for the
existence "new slavery" than stereotyping. I don't know if people
thinking "black people like diamond watches and gold chains" is
equivalent to actual slavery. And I'm not trying to be one of those abhorrent
white people who claims racism is over and slavery didn't exist. I'm just
curious about his terminology.
Meredith: With the first verse of New Slaves, the
young punk in me is all stretching the diamond watches and gold chains bit to
all [young black people? black rappers?] being slaves to an image when he's
talking about contracts/labels where there is a thin line between modern racism
(wha?) and stereotyping. But he's not the first to rap about that! So what's
the big deal? but also, in that first verse when he says "used to only be niggas,"
I thiiiiink but am not sure that that way he says "niggas" is like
exactly how DMX said it. and look at DMX's crew vs. Ye's crew. And I am definitely qualified to talk about the
Ruff Ryders. lol so hard at this:
And go ahead and lol at this too:
So what makes an angry Yeezus
different from an angry X? Do a vast majority of his listeners "get
it"? (like, is the Seattle
crowd just singing along or are they aware of the anger or did they really want
to go see Macklemore but it was sold out?)
Emily: "What They Really Want" is a better
video than Bound 2. (I love how DMX admits to his frustration with "what
women want" by shouting "somebody let me know." Also he is
basically the Shakespeare of rhyming women's names. Can we also note how in the
beginning he refers to women as "women"? Also, I'm glad
no one has heard from Sisqo since MTV Spring Break 2001.)
"Party
Up (Up In Here)" was the party jam of a thousand high school dances in 1999.
It's nearly perfect. The video looks like it cost some actual money, which is
what we expected at the time (and still do, Kanye). He was recently caught on
film running through a hotel in Detroit
naked, which makes me like him even more. Apparently it was a dare. He was
right; he's a player for life.
And I
definitely don't think the vast majority of Kanye's listeners "get
it" in the sense that they conducted even a brief reflection on
race/racism before attending or during Kanye's performance; his show is pure spectacle
and everyone’s along for the ride. Most of the audience probably also went to
the Macklemore show, in the modern vein of "everyone likes everything now
and no one likes anything anymore."
Re: Bound 2 video: (which, ugh, not linking here)
Is
Kanye broke and was forced into a budget of $40 for this video?
What is
a "kim kardashian"?
Can you
think of another instance in which the video has completely ruined the song for
you?
Meredith: SO RUINED BEYOND RUINED AND I FEEL
NAUSEOUS AND WHAT EVEN ARE HER BOOBS? ugh. what. not funny, Kanye. Not funny at
all.
Emily: her boobs look like she wouldn't be able to dive, really,
or ever be too far under water?
Is he
being savvy or is he that deluded?
Meredith: That shit is going to keep us talking about kanye
foreverandever
Emily: iiiiiiiiii knooooooooowwwwwwwwwww
and that's what he wants! And maybe that’s his art
Meredith: kind of like Miley
Emily: ugh fuck I don't want to be alive anymore
Meredith: I feel like we've reached the apex and
what the fuck is going to happen next
Emily:
I think people thought that happened with punk... this is the detritus we're
wading through.
I think
punk did end everything, in a good way. Now we're shoveling shit.
Not to
be too cynical, but none of it matters. It exists just to serve itself.
Meredith: So, real talk,
do you
"like" Yeezus
Emily: I
definitely do. I forced untold multitudes of people to listen to it with me
like once a day this summer. I think its
innovative, and it surprised me.
Meredith: As
Kanye’s audience at the show is watching him, as
they're saying words, is there contemplation or is there just "damn, Ye,
that mask is crazy."
Emily: Maybe the audience’s ability to sing along without
contemplating the meaning behind “my mama was raised in an era when…” speaks more
to the depth and totality of white privilege than anything else?
What are your
end-of-the-day, confessional, head-on-pillow thoughts on Yeezus?
Meredith: I think he's positioned his public into loving the shit
out of whatever he does. And he's done that through pushing boundaries and
being incredibly innovative and constantly changing his sound on his albums.
If this
were his first album to drop, it'd be weird. But
we're wrapped around his diamond-ringed finger.
And,
fortunately, he's smart and snarky and weirdly, I’m hypocritical about his misogyny.
Like...I
like it. Or I accept it and it actually makes me laugh and say "oh snap.”
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